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Tour Grade 4 channel Amplifier High technology & energy-saving and environment-friendly amplifier. Follow-up DC-DC converter. 2U standard steel machine case, aluminum front. New type red copper heat sink. Super A class power output. SMT & Al production. Collect all advantages of high-technology. Intelligent temperature control & variable cooling fan. -
Stereo half-frequency, single -channel third-frequncy electronic crossover.TRS or XLR balanced input and diferential. Choice of stereo or the sum of left and right channels while the synthesis of ultra-low sound. Two channels are selected x10 range swtich. Two channels 40Hz high pass lter (frequency cut end). All outputs with phase reverse switch. Therefore, the output can be independently adjusted average dB /oct Linkwitz- Riley lters (the professional standard). Stereo/ Mono status indication LED lights, indicate the selected mode of operation. -
Tour Grade 2 channel Amplifer High technology & energy-saving and environment-friendly amplifier. Follow-up DC-DC converter. 2U standard steel machine case, aluminum front. New type red copper heat sink. Super A class power output. SMT & Al production. Collect all advantages of high-technology. Intelligent temperature control & variable cooling fan.
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RS or di erential balanced XLR inputs and outputs. Choice of stereo or the sum of left and right channels while the synthesis of ultralow sound. X10 range are two-channel selector switch. Two channels have 40hz high pass lter (low cut) all the outputs with phase reverse switch. All the bands on the average output can be independently adjuested dB/ Linkwitz-Riley lters (the professional standard). Stereo / Mono status indication LED lights, indicating that the choice of unit of work pattern. -
PROFESSIONAL WIRELESS MICROPHONE FEATURES • UHF 2 x 100 Channel reveiver. • PLL Frequency digital synthesis technology. • High-fidelity cartridge module. • Infrared carrier-frequency synchronization. • Super anti-jamming circuit design. • Super low background noise. • Frequency auto-search (search non-interference frequency). • Microphones can use with any receiver (2 mic). -
Techinical parameters Bandwith: 20Hz-20Khz, +0.5db/-1Db Dynamic range: 109db 115db SNR: 90dB 97dB Total harmonic distortion + noise < 0.005% Crosstalk between channels: <- 80dB, 20Hz-20Khz. Interface: 1/4 inch TRS, XLR sockets (two feet for the hot working side, female), and terminal strips. Type: Electric balance is 40k , non equilibrium for the 20k . Maximum input level: > +21 dBu, balanced or unbalanced. 31 Band CMRR: > 40dB, typically> 55dB, 1kHz Export Interface: 1/4 inch TRS, XLR sockets (two feet for the hot working side, female), and terminal strips. Type: Electric balance is 200 , 100 Maximum input level: > +21 dBu, balanced or unbalanced loads or more loads 2k . CMRR: > 18dB, balanced /unbalanced (connected 600 load). -
FEATURES • UHF 4 x 50 Channel reveiver. • UHF DSP technology. • High-fidelity cartridge module. • Infrared carrier-frequency synchronization. • Super anti-jamming circuit design. • Super low background noise. • Frequency auto-search (search non-interference frequency). • Microphones can use with any receiver (4 mic). -
Digital Processor One Rack Space. Three inputs - Six Outputs Extra input allows for AUX fed subs Extremely intuitive user interface Front panel programing and control Crossover, EQ, Delay and limeter functions Outputs Assignable to any input Superior Sonic Quality Identical in performance to the 4.24C XLR audio connections Balanced inputs and outputs Parametric lters and Comp/Limiter to control feedback problems. Linkwitz-Riley Bessel and Butterworth lters. 12, 18, 24 and 48dB/Octave Slopes Parametric EQ: 1/6th to octave range Input and Output Delay Limiter on each Output Individual input and output metering Four levels of security -
Type: Dynamic Frequency Response: 70 to 15,000 Hz Polar Pattern: Cardioid (unidirectional) Sensitivity (at 1000Hz): –52 dBV/Pa, (2.5 mV), 1 Pascal = 94 dB SPL Application: Vocal Microphone Case: Black, enamel-painted, die cast metal; matte-finished, black colored, spherical steel mesh grille Output Impedence (at 1000 Hz): 600 ohms Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector Connector: Three-pin professional audio connector (male XLR type). Net Weight: 2.3 Dimensions (L x W x H): 9 1/2 x 7 1/2 x 2 1/2 -
Digital Processor One Rack Space Four inputs -Eight outputs Extremely Intuitive user interface Crossover EQ, Delay and limiter functions Outputs assignable to any input Superior Sonic Quality Front Panel, PC or MIDI Programing and control Third Party control friendly XLR Audio connections Balanced inputs and outputs Parametric lters and Comp/Limiter to control feedback problems. Linkwitz-Riley, Bessel and Butterworth lters 12, 18, 24 and 48dB/Octave Slopes Parametric EQ 1/64th to 4 Octave range Input and Output Delay Limiter in each output Individual input and output metering Fout levels of security Applications Conventional PA systems FCH Monitors AUX fed subs L-C-R con gurations Multi-zoned systems -
Vocal microphone Mixer controlled Type: Dynamic Frequency Response: 50 to 15,000 Hz Polar Pattern: Cardioid Sensitivity (at 1,000 Hz Open Circuit Voltages): –54.5 dBV/Pa (1.85 mV) 1 Pa = 94 dB SPL Impedance: Rated impedance is 300Hz (600ohm actual) for connection to microphone inputs rated low impedance Polarity: Positive pressure on diaphragm produces positive voltage on pin 2. -
Power Conditioner Maximum Output Current: 20 amps Line Cord: 6 ft., captive, 14 AWG, with 3-conductor Edison plug. Operating Voltage: 120VAC 60Hz Spike Protection Mode: Line to neutral Energy Dissipation: 170 joules Peak Impulse Current: 12,000 amps Continuous Operating Voltage: 130 VAC RMS Let Through Voltage (@ 125 amps, 8/20uS waveform) 400 volts.
