Feur

  • 18" Passive Pro Subwoofer System Power Handling: 1000W /2000W Input Connections: 3 Pin XLR Frequency Response: 35Hz-120kHz Sensitivity: 116dB Max. SPL/1m: 135dB Coverage (Nominal -6 dB) H: 90° Coverage (Nominal -6 dB) V: 50° Nominal Impedance (Passive): 8Ω Color: Black Emory Paint Cabinet Material: Plywood
  • 18" Active Pro Subwoofer System Power Handling: 1000W /2000W Input Connections: Speakon Frequency Response: 35Hz-120kHz Internal Crossover Crossover Frequency: 120Hz Sensitivity: 116dB Max. SPL/1m: 135dB Coverage (Nominal -6 dB) H: 90° Coverage (Nominal -6 dB) V: 50° Nominal Impedance (Passive): 8Ω Power Source: 230V/115V Color: Black Emory Paint Cabinet Material: Plywood
  • LINE ARRAY COMPACT SYSTEM This series provide the most compact mini array system. Special design, high efficiency speaker unit, and low profile with high output.  
  • FX COMPACT LINE ARRAY / 2-WAY FULL RANGE Feur FX12 2-Way Compact Line Array features eight 2” full range transducers and one 12” long excursion woofer designed for high power output perfect for Dj and large venues. APPLICATIONS • DJs • Corporate events • Presentations • Performers Description: 12" Active 2-Way Array System Power Handling: 600W / 1000W (Continuous/Program/Peak) LF Transducer 12" 2.5" Voice Coil HF Transducer 8x2" Neodymium Speakers Input Connections: 3 Pin Balanced XLR Frequency Response (-3 dB) 40 Hz - 20Hz Internal Crossover Passive Crossover Frequency: 218 hZ Sensitivity 1 W/1 m 116dB Max. SPL/1m (calc) 128dB Coverage (Nominal -6 dB) H 120 ° Coverage (Nominal -6 dB) V 30 ° Nominal Impedance (Passive): 8Ω Power: 220V/115V Color: Black Cabinet Material: Plywood
  • Power Conditioner Maximum Output Current: 20 amps Line Cord: 6 ft., captive, 14 AWG, with 3-conductor Edison plug. Operating Voltage: 120VAC 60Hz Spike Protection Mode: Line to neutral Energy Dissipation: 170 joules Peak Impulse Current: 12,000 amps Continuous Operating Voltage: 130 VAC RMS Let Through Voltage (@ 125 amps, 8/20uS waveform) 400 volts.
  • Digital Processor One Rack Space Four inputs -Eight outputs Extremely Intuitive user interface Crossover EQ, Delay and limiter functions Outputs assignable to any input Superior Sonic Quality Front Panel, PC or MIDI Programing and control Third Party control friendly XLR Audio connections Balanced inputs and outputs Parametric lters and Comp/Limiter to control feedback problems. Linkwitz-Riley, Bessel and Butterworth lters 12, 18, 24 and 48dB/Octave Slopes Parametric EQ 1/64th to 4 Octave range Input and Output Delay Limiter in each output Individual input and output metering Fout levels of security Applications Conventional PA systems FCH Monitors AUX fed subs L-C-R congurations Multi-zoned systems
  • Digital Processor One Rack Space. Three inputs - Six Outputs Extra input allows for AUX fed subs Extremely intuitive user interface Front panel programing and control Crossover, EQ, Delay and limeter functions Outputs Assignable to any input Superior Sonic Quality Identical in performance to the 4.24C XLR audio connections Balanced inputs and outputs Parametric lters and Comp/Limiter to control feedback problems. Linkwitz-Riley Bessel and Butterworth lters. 12, 18, 24 and 48dB/Octave Slopes Parametric EQ: 1/6th to octave range Input and Output Delay Limiter on each Output Individual input and output metering Four levels of security
  • Techinical parameters Bandwith: 20Hz-20Khz, +0.5db/-1Db Dynamic range: 109db 115db SNR: 90dB 97dB Total harmonic distortion + noise < 0.005% Crosstalk between channels: <- 80dB, 20Hz-20Khz. Interface: 1/4 inch TRS, XLR sockets (two feet for the hot working side, female), and terminal strips. Type: Electric balance is 40k, non equilibrium for the 20k. Maximum input level: > +21 dBu, balanced or unbalanced. 31 Band CMRR: > 40dB, typically> 55dB, 1kHz Export Interface: 1/4 inch TRS, XLR sockets (two feet for the hot working side, female), and terminal strips. Type: Electric balance is 200, 100 Maximum input level: > +21 dBu, balanced or unbalanced loads or more loads 2k. CMRR: > 18dB, balanced /unbalanced (connected 600 load).
  • RS or dierential balanced XLR inputs and outputs. Choice of stereo or the sum of left and right channels while the synthesis of ultralow sound. X10 range are two-channel selector switch. Two channels have 40hz high pass lter (low cut) all the outputs with phase reverse switch. All the bands on the average output can be independently adjuested dB/ Linkwitz-Riley lters (the professional standard). Stereo / Mono status indication LED lights, indicating that the choice of unit of work pattern.
  • Stereo half-frequency, single -channel third-frequncy electronic crossover.TRS or XLR balanced input and diferential. Choice of stereo or the sum of left and right channels while the synthesis of ultra-low sound. Two channels are selected x10 range swtich. Two channels 40Hz high pass lter (frequency cut end). All outputs with phase reverse switch. Therefore, the output can be independently adjusted average dB /oct Linkwitz- Riley lters (the professional standard). Stereo/ Mono status indication LED lights, indicate the selected mode of operation.
  • 15 two-channel design, 1/3 tax-frequency constact-Q ± 12dB program scope, input gain range with ± 12dB adjustable. With -18dB low cut switch (75Hz), have eectively eliminate low-frequency noise. With BY-Pass switch the machine to facillitate debugging. Standard 1U structure is more suitable for project installation. Five paragraphs color signal level instructions, XLR balanced and 1/4TRS unbalanced input and output also allows you to use arbitrary, 12-series visualization design to make your operation
  • 50”x7”x7” Double Layer Expandable